The Gallery at Penn College is seeking artists for solo exhibitions and residencies for 2019-20 and 2020-21. The 3,000 square foot gallery on the campus of Pennsylvania College of Technology in Williamsport, PA is dedicated to promoting art appreciation through exhibitions of contemporary art.

Artists working in all media are invited to apply for solo or group exhibitions. For the residency series, titled ‘Material Matters: Past, Present, Future,’ we are seeking artists working specifically in materials from Pennsylvania’s history, such as steel, wood, paper, or fiber, as well as current and future materials, such as plastics, glass, or electronics. The five-day residency will include up to three interactive workshops and public programming including a gallery talk.

Artists may apply on the gallery website. There is no entry fee.

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Artists wishing to be considered for an exhibit in the Howard County Arts Council (HCAC) galleries are invited to submit a general exhibit application. The HCAC Exhibits Committee meets quarterly to review applications and select artists for the exhibit space. Artists, ages 18 and older, working in all media and styles including time-based and installation artists, are encouraged to apply either individually or as a group. The Committee also welcomes proposals from curators and organizations.
 
Detailed entry guidelines are available at hocoarts.submittable.com/submit/, for pick-up at the Howard County Center for the Arts, or by mail by calling 410-313-2787 or emailing info@hocoarts.org. The next deadline for submissions is Tuesday, January 1, 2019.
 
HCAC manages two galleries at the Howard County Center for the Arts with over 2100 square feet of exhibit space. The HCAC gallery program was established to enhance the public’s appreciation of the visual arts, provide a venue to exhibit the work of local, regional, and national artists in a professional space, and provide leadership in the arts by presenting a broad spectrum of arts in all media from both emerging and established artists.
 
HCAC presents 11-12 exhibits per year of national, regional, and local artists, including two-person, small and large group, juried, curated, and community shows.
 
Gallery hours are Monday through Friday 10am- 8pm, Saturday 10am-4pm, and Sunday 12- 4pm.  To learn more about HCAC programs and exhibits, call 410-313-ARTS (2787) or visit hocoarts.org.  

“Innovations in Printmaking”

National Juried Printmaking and Book Arts Show

Cade Art Gallery, Anne Arundel Community College

Sponsored by Anne Arundel Community College Printmaking Club

Juror: Jonathan Thomas, Chair, Printmaking Dept., Md. Institute College of Art

This show seeks hand-pulled prints and book arts that explore creative approaches and boundary pushing with techniques and / or concepts in printmaking.  Juror’s awards.

 

Show Calendar:

January 7, 2019: Deadline for submissions:

Submit 3 images online via Café website https://artist.callforentry.org/festivals_unique_info.php?ID=6032

$25 entry fee payable online.

Questions contact Chris Mona,   cpmona@aacc.edu, 410-777-7028, or  C. Mona, AACC, 101 College Parkway, Arnold, MD 21012.

 

Feb. 5  –  28, 2019: Exhibition in Cade Art Gallery, Anne Arundel Community College

School 33 Art Center presents three new exhibitions on view Friday, December 7, 2018 through Saturday, February 2, 2019. The public is invited to a free opening reception on Friday, December 14 from 6pm-9pm.

Your silence will not protect you. (Main Gallery)

Curated by Kayleigh Bryant-Greenwell, “Your silence will not protect you.” presents five black womyn artists from across the country: Akea Brionne Brown, Alex Callender, Vickie Pierre, LaNia Sproles and Gracie Xavier in a group show about black womyn’s experiences in America—past, present and future. The title references Audre Lorde’s seminal essay on activism, “The Transformation of Silence into Language and Action.”“Your silence will not protect you.” addresses many silences, both historic and contemporary. This multimedia exhibition explores subtle variances and correlations across a broad spectrum of experience for black womyn today. Considering contemporary tropes concerning black womyn’s bodies, the commercialization of blackness and the continued haunting of the American past, the five artists presented content with the status quo both in broad social terms, but also within hierarchical art world structures. Here, past is more than present—it is consciousness.

Image caption: Alex Callender, “Beyond the Borders of New Space and Lost Time”

Nature As A Metaphor For Economic, Emotional And Existential Horror (Members Gallery)

“Nature As A Metaphor For Economic, Emotional And Existential Horror” by Stephanie Barber utilizes words as sculptural elements to contemplate the morphological state of language and nature. This third iteration of the project includes still photographs, hand lettered texts, vending machine sentences, viewfinder essays and a single channel video. Barber has created a diverse body of work in a variety of media. The poignancy of life, considered through small imagined biographies, playful and rigorous poetic essays, song-poems, screenplays or haiku-esque distillations of everyday moments is her most traveled terrain. Barber’s films have received solo exhibitions at MoMA, New York City; National Gallery of Art, Washington, D.C.; Yerba Buena Center, San Francisco; National Film Academy, Prague; Lowenbraukunst, Zurich; Anthology Film Archives, New York City, among others. Her books These Here Separated… and Night Moves were published by Publishing Genius Press, and her collection of short stories All The People was published by Ink Press Productions.

Image caption: Images of works from “Nature As A Metaphor For Economic, Emotional And Existential Horror” by Stephanie Barber

Labor of Suggestion (Project Space) 

“Labor of Suggestion” by Emily Culver is devoted to inhibiting and obscuring direct access. Evocative of shelving, food presentation and preparation, the works presented recall scenarios in which objects of desire are within view yet out of reach. Unlike a consumer ogling sweetmeats, the voyeur’s gaze in this space becomes obstructed by a thin film—a skin barrier that reduces both the silhouette and the detail of the contents inside to a fuzzy blur. Through the diffusion this visual information, the relationship between bodies in the space becomes one of pure speculative experience. Existing primarily as sculpture, objects, and jewelry, Culver’s work explores notions of intimacy, (non)functionality, gender, and identity through corporeal qualities.

Image caption: Emily Culver, “Labor of Suggestion” (detail)

Call for Entries

The 2019 Janet & Walter Sondheim Artscape Prize

The 2019 Janet & Walter Sondheim Artscape Prize is made possible through the generous annual support of presenting sponsor M&T Bank. Additional funds come from an endowment established with the support of the Abell Foundation, Baltimore Community Foundation, Amy and Chuck Newhall, Brown Advisory, Caplan Family Foundation, Charlesmead Foundation, Ellen Sondheim Dankert, France-Merrick Foundation, Greater Baltimore Committee, Hecht-Levi Foundation, Legg Mason, Rollins-Luetkemeyer Foundation, Henry & Ruth Blaustein Rosenberg Foundation, Rosemore, Inc., Rouse Company Foundation, Sigmund & Barbara Shapiro Philanthropic Fund, John Sondheim, William G. Baker, Jr. Memorial Fund, Whiting-Turner Contracting Company, and Patricia and Mark Joseph/The Shelter Foundation. BOPA would additionally like to thank the more than 40 individuals who contributed to the Sondheim Prize Endowment Fund in 2017 in honor of former BOPA CEO Bill Gilmore. 

Application deadline – Tuesday, January 15, 2019

The Baltimore Office of Promotion & The Arts, Inc. (BOPA) is proud to announce the 14th edition of the Janet & Walter Sondheim Artscape Prize.  The prize will award a $25,000 fellowship to a visual artist or visual artist collaborators living and working in the Baltimore region. Approximately six finalists will be selected for the final review for the prize; their work will be exhibited in the Walters Art Museum. Finalists not selected for the Sondheim Prize will be awarded an M&T Bank Finalist Award of $2,500 each.

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Disconnect to Reconnect (The hidden and unseen), by Erick Antonio Benitez (photo credit: Michael Bussell)

The Baltimore Office of Promotion & The Arts (BOPA) and the Municipal Art Society of Baltimore City (MASB) announce Erin Fostel and Erick Antonio Benitez as recipients of the Municipal Art Society of Baltimore City Artist Travel Prize. The MASB board of directors awarded a $6,000 prize to two Baltimore-based visual artists for 2018. Fostel and Benitez were selected from a highly competitive pool of applicants. The prize is intended to function as funding for travel essential to an artist’s studio practice that an artist may not otherwise be able to afford. The third edition of the Municipal Art Society of Baltimore City Artist Travel Prize is managed by Baltimore Office of Promotion & The Arts, and sponsored by the Municipal Art Society of Baltimore City.

Fostel will use the award for a three-week trip to Japan, where she will research and draw. The artist plans to focus on the cities of Tokyo and Hiroshima and surrounding areas. Her concentration will be on urban architecture as well as the architecture, rites and rituals of Shinto, a main religion in Japan.

Benitez will use the award to conduct research on the Amazon city of Iquitos, exposing him to a vast biodiversity landscape and the native culture. The project will be a lasting source of material for his practice, including sound field recordings, video footage, photographs, drawing studies and found objects.

Temper and Soothe, by Erin Fostel

About the Artists:

Erin Fostel’s interest in drawing and storytelling led her to the Maryland Institute College of Art (MICA), where she graduated in 2014. Thereafter, she continued to explore visual storytelling through drawing. In her drawings, she pushes the tonal boundaries of charcoal, which is her primary medium. Her work has been included in local and international publications about drawing. Her studio is located in Baltimore.

Erick Antonio Benitez received a BFA from the Maryland Institute College of Art. The multidisciplinary artist has exhibited internationally, including CONNERSMITH, Washington, D.C., Baltimore Museum of Art, Greenpoint Gallery, Brooklyn, New York, and Metàfora Studio Arts, Barcelona, Spain, in addition to private collections. His works of art have also been reviewed by regional and national publications. Benitez has been a recipient of a Ruby Artist Project grant; The Contemporary: Grit Fund 2; Y.L. Hoi Memorial Award, Janet & Walter Sondheim Artscape Prize, and a residency at the Studios at MASS MoCA.

About Municipal Art Society of Baltimore City:

The Municipal Art Society of Baltimore was founded in 1899 as part of the City Beautiful movement. It is one of only two remaining societies to be operating under its original charter “to provide sculptural and pictorial decoration and ornaments for the public buildings, streets and open spaces in the City of Baltimore, and to help generally beautify the City.” Artistic contributions to the City span more than one hundred years. In 2016 the MASOB embarked on a path to provide new opportunities to Baltimore artists and art places within the City, including this Artist Travel Prize and an annual Public Art Prize.

CulturalDC is seeking artists of all kinds to submit new and engaging works for our Works-in-Progress initiative. Whether you’re a performance artist, singer/songwriter, interpretive dancer, comedian, playwright, clown, etc., we have a spot for you! We will be programming up to 3 projects for one-time engagements, with a possibility for further development.

CulturalDC provides a platform for artists to obtain exposure with our network of arts organizations, audiences, and real estate developers. We offer performance space, critical feedback from staff at rehearsals, and marketing support. Artists receive a stipend.

Priority is given to artists and organizations who have not received developmental support from CulturalDC.

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