The City of Chicago Department of Cultural Affairs and Special Events (DCASE), working with the Chicago Public Library, invites professional artists to submit their interest in a public art commission for the new Greater Grand Crossing Branch Library. This commission opportunity is to create a site-specific artwork that responds to the community’s clearly stated desire that the public art for their library be reflective of intellectual curiosity, creativity and a thirst for knowledge expressed in a visually sophisticated manner. Uniquely, this library is a partner in Pocket Con, a comic conference held in the neighborhood for Chicago teens and focusing on underrepresented populations in the comic genre. The local youth and parent awareness of Anime and graphic novels is high. All media will be considered but it is essential that it have low maintenance requirements. The panel has identified the large wall in the main entry and the “frieze band” wall sections immediately over the bookshelves in the Reading Room as primary sites for consideration. There is also an outdoor reading garden. Artists may propose for any public area of the library and grounds. The panel will select semi-finalists in June 2015 who will be paid honoraria to develop proposals by September with finalist being selected in October. Installation by the commissioned finalist is expected within one year of contracting.

Total project budget: $44,335

Application deadline: 10:59pm CST, June 14, 2015.

For more details and to apply, please visit www.callforentry.org (CaFÉ).

Please note: If you have previously submitted materials to DCASE’s Artist Registry, you still need to apply via CaFÉ in order to be considered for this opportunity. DCASE’s Public Art Program reserves the right to commission artists who do not apply.

Call to Artists: A Request for Qualifications

Julian B. Lane Riverfront Park

1001 N. Boulevard, Tampa Florida

Multiple Site Opportunities

Project Budgets Range from $200,000 — $400,000 The City of Tampa Florida is seeking bold, innovative and engaging public art projects for its largest event park in downtown Tampa. Sites and functions for artwork may include but not be limited to entrance gateways, arrival plaza, history/commemorative, and an engagement with environmental systems or the river’s edge. To review full RFQ, visit www.tampagov.net/arts<http://www.tampagov.net/arts>.

Application Deadline (postmarked or hand-delivered) Friday, May 15, 2015

The 2015 Sondheim Award Finalists have been announced! Congratulations to the following artists:

Mequitta Ahuja makes large, figurative paintings and works on paper that employ Indian painting traditions and reference her African-American and East Indian background. Ahuja has an extensive exhibition history that includes shows at The Studio Museum in Harlem (New York, NY, 2010, 2011, 2012), the Smithsonian National Portrait Gallery (Washington, DC, 2009, 2012), The Museum of Fine Arts Houston (Houston, TX, 2008), The Brooklyn Museum (Brooklyn, NY, 2007), and the Museum of Contemporary Art Chicago (Chicago, IL, 2005). Additionally, she has an upcoming exhibit of seven works at the Saatchi Gallery (London, UK, 2015). Her artwork is in the collections of the Minneapolis Institute of Arts (Minneapolis, MN), the Philadelphia Museum of Art (Philadelphia, PA), and the Urlich Museum (Wichita, KS), among others. An artists’ residency at the Maryland Institute College of Art brought her to Baltimore in 2011.  Here she received a Maryland State Arts Council Individual Artist Award in 2013, and is also a recipient of both a Louis Comfort Tiffany Award (2011) and a Joan Mitchell Award (2009).  Ahuja received her Masters of Fine Art from the University of Illinois in 2003, and her Bachelors of Art from Hampshire College in 1998.

 

Zoe Charlton creates detailed drawings that explore the ironies of contemporary social and cultural stereotypes. She received her Masters of Fine Art from the University of Texas at Austin and participated in residencies at the Skowhegan School of Painting (Skowhegan, ME, 2001), Creative Alliance (Baltimore, MD, 2003), and ART342 (Fort Collins, CO, 2010). Her solo exhibitions include CONNERSMITH. (Washington, DC, 2013), the Delaware Center for the Contemporary Arts (Wilmington, DE, 2009), and Wendy Cooper Gallery (Chicago, IL, 2006). Her work has been included in national and international exhibitions including those at the Harvey B. Gantt Center for African-American Arts + Culture (Charlotte, NC, 2015), Crystal Bridges Museum of American Art (Bentonville, AR, 2014), Studio Museum Harlem (NYC, NY, 2012), Contemporary Arts Museum Houston (Houston, TX, 2000), the Zacheta National Gallery of Art (Warsaw, Poland 2006), and Haas & Fischer gallery (Zurich, Switzerland, 2006). She is a recipient of a Pollock-Krasner grant (2012) and a Rubys grant (2014). Charlton is an Associate Professor of Art at American University in Washington, DC, and is represented by CONNERSMITH., also located in Washington D.C.

 

Ben Kelley is a 2010 Masters of Fine Art graduate of the Rinehart School of Sculpture at the Maryland Institute College of Art. With motives driven by the smell of oak, high heels on glass, and the elegance of precision, Kelley re-contextualizes found objects with altered and fabricated structures. His works have been exhibited locally and nationally. These include solo exhibitions at CONNERSMITH. (Washington, DC, 2013); Open Space (Baltimore, MD, 2011); Patty and Rusty Rueff Gallery at Purdue University  (West Lafayette, IN, 2009), among others. Group exhibitions include those at  the Contemporary Museum (Baltimore, MD, 2012), Maryland Art Place (Baltimore, MD, 2011, 2010), Gallery Four (Baltimore, MD, 2010), Creative Alliance, (Baltimore, MD, 2009). Kelley has been awarded the Toby Devon Lewis Fellowship (2010) and the GoGo Emerging Artist Projects of CONNERSMITH., Washington, D.C. (2010-2013). His work has also been featured in such publications as the Washington Post, Washington City Paper, and the Baltimore City Paper.

 

Magnolia Laurie creates detailed paintings and installations that reference the sustained need to try and to build, with sometimes precarious results.  She received her Bachelors of Art in Critical Social Thought from Mount Holyoke College and her Masters of Fine Art from the Mount Royal School of Art at the Maryland Institute College of Art. She is a former Hamiltonian Fellow (2009-2011) and was a Platform Artist in Washington, DC’s (e)merge Art Fair (2012, 2013). She has been awarded fellowships and residencies from the Virginia Center for the Creative Arts (2013), the Jentel Foundation in Wyoming (2013), the Creative Alliance in Baltimore  (2007-2010), and the Vermont Studio Center (2007). Magnolia has also been a recipient of a Mid-Atlantic Creative Fellowship in 2015, a Maryland State Arts Council Grant in 2011, and an Individual Artist Grant from the Creative Baltimore Fund in 2009. Her recent solo exhibitions include LANDMARK at frosch&portmann, what could hold us together also at frosch&portmann  (2012), and with a tug and a hold at VisArts (Rockville, MD, 2012).  Her work has also been featured in exhibitions at the Marianne Boesky Gallery (New York, NY 2014), Jordan Faye Contemporary (Baltimore, MD 2014, 2013), School 33 Art Center (Baltimore, MD, 2013, 2010) and the Kemper Museum of Contemporary Art (Kansas City, MO, 2011). Laurie is also a faculty member at the Maryland Institute College of Art and American University.

 

Jim Leach received a Bachelors of Fine Art from Kent State University in 2011, and a Masters of Fine Art from the Rinehart School of Sculpture at the Maryland Institute College of Art in 2014, where he was the recipient of the 2012-2014 Rinehart Fellowship. His sculpture has been in various solo and group exhibitions, including shows at the Creative Alliance (Baltimore, MD, 2014); Vox Populi (Philadelphia, PA 2014); Maryland Art Place (Baltimore, MD, 2014); The Gowanus Loft  (Brooklyn, NY, 2013); and Legation, A Gallery (Cleveland, OH, 2012). He also has an upcoming solo exhibition scheduled at The Sculpture Center (Cleveland, OH). Leach has been reviewed in several periodicals including Cleveland’s Scene Magazine, Washington DC’s City Paper, and Baltimore’s BmoreArt. In 2013, Leach was selected by Maryland Art Place for the 30: Thirty Creative Minds Under 30 lecture series and in 2014 to speak in Sculpture X: The Social Political Object.

 

Ryan Syrell is a painter whose work focuses on the interrelationship between cartooning, abstraction, perception, and the recollection of visual data. He received his Bachelors of Fine Art from the State University of New York at Purchase and has extensively exhibited and performed nationally. Syrell’s work has recently been included in Baltimore Contemporary Cross-Section at the Silvermine Arts Center (New Canaan, CT, 2014) and the Washington Project for The Arts’ Select 2014 at Artisphere (Arlington, VA) and the Marianne Boesky Gallery (New York, NY), as well as a solo exhibition entitled Roughed In at the John Fonda Gallery (Baltimore, MD, 2014). He has additionally been featured in exhibitions at Art Basel (Miami, FL, 2013), the Corcoran Gallery of Art (Washington, DC, 2013), Current Space (Baltimore, MD, 2013), the Everything Is Festival (Los Angeles, CA, 2012, 2010) and the Museum of Contemporary Art Detroit (2008), among several others. Catalogs featuring Ryan’s essays are in the collections of the Los Angeles County Museum of Art library, the International Center for Photography library and the Indie Photobook Library. In 2014, Ryan also received an Individual Artist Award from the Maryland State Art Council for his work in sculpture.

 

Wickerham/Lomax is the collaborative name of artists Malcolm Lomax and Daniel Wickerham. Formerly known as DUOX, the two have been collaborating since 2009. Working across diverse media (sculpture, installation, websites, prints, video, performance), curatorial platforms, and institutional contexts, they have created a body of work at once context specific and also broadly engaged digitally. Their work is currently focused on the deviation from the digital space to the physical space. Wickerham & Lomax have exhibited widely in both Baltimore and New York, including solo exhibitions at Springsteen gallery (Baltimore, MD, 2015), AC Institute Art Gallery (New York, NY, 2015 – forthcoming), the New Museum (New York, NY, 2014), Artists Space (New York, NY, 2012) and Open Space (Baltimore, MD, 2009), as well as a solo exhibition at Link Art Center (Brescia, Italy, 2014).  They have also been included in several group exhibitions, including Baltimore, Contemporary Cross Section at the Silvermine Arts Center (New Canaan, CT, 2014) and Baltimore Liste at The Contemporary Baltimore, MD, 2012).  Wickerham and Lomax both received their Bachelors of Fine Art from the Maryland Institute College of Art in 2009.

Project Summary: The Texas Tech University System seeks to commission a professional artist(s) to create site-specific exterior sculpture(s) to be placed outside of the Rawls College of Business building addition, which will add a three-story structure on the northwest corner of the existing facility. The addition will contain faculty/staff offices, graduate and undergraduate classrooms, and professional education spaces.

This is a high-traffic area of campus; ideal submissions should be vertical and easily seen from intersecting roads that pass by the area. Submitting artists should consider lighting and other elements that will draw attention to the sculpture at various times throughout the day. The Rawls College is particularly interested in sculpture related to technological innovation for this project, but the sculpture may also include concepts related to applied science in business, marketing, technology, driving productivity, increased efficiency and standard of living, and process innovation. Artists should represent these concepts without being too literal. Finalists will develop a design concept that reflects the standards and culture of Texas Tech specific to the Rawls College of Business Addition. They will prepare presentation materials, drawings, a model, and related specifications in sufficient detail and in the format required to convey the design intent.

Location: Texas Tech University, Lubbock, Texas

Budget: $142,000

Deadline: May 19, 2015, 3 p.m. (Central)

Link: http://esbd.cpa.state.tx.us/bid_show.cfm?bidid=116648

FORT WORTH PUBLIC ART

2015 PRE-QUALIFIED LIST OF PUBLIC ARTISTS

DEADLINE TO APPLY: APRIL 16, 2015

Fort Worth Public Art (FWPA) seeks exceptional Local and National artists working in a variety of visual media for the 2015 Pre-Qualified List of Public Artists. This list will be the primary source for artist selection for upcoming public art projects.

Future Public Art Projects for which Pre-Qualified Artists may be commissioned include street and transportation improvements, parks, recreation and community center improvements, libraries, fire stations, and other municipal facilities. Public art projects will range in budget from $30,000 to $300,000.

FWPA has established two separate calls for the 2015 Pre-Qualified List based upon artists’ residency and experience level. Each has a separate application process and will be reviewed by the panel independently.

  • Established Public Artists: Open to all artists / artist teams in the United States, who work in any media, with demonstrated public art experience, use of materials suitable for public indoor and outdoor settings, site-specific design, collaboration with other artists, designers, architects, engineers, fabricators, city officials and staff. Artists should also demonstrate experience gathering input from the community.
  • Emerging Public Artists: Open to North Texas artists* who reside in the Fort Worth metropolitan area and who work in any media. Previous public art or design team experience is not required. Artists should demonstrate an understanding of appropriate materials and capacity to work collaboratively with other artists, designers, architects, engineers, fabricators, city officials and staff. Artists should also express a willingness to accepting input from the community.

(*This list is limited to artists who reside in who reside in the following Texas Counties: Dallas County, Tarrant County, Denton County, Collin County, Rockwall County, Hunt County, Kaufman County, Ellis County, Johnson County, Hood County, Parker County, Wise County, or Somerville County.)

Applications for the 2015 Pre-Qualified List will be available to artists through CAFÉ (www.callforentry.org).  For more information about qualifications and submission requirements, please go to our website at www.fwpublicart.org. Artists in the FWPA Artist Registry and artists who have previously been on the FWPA Pre-Qualified List (except for those added in 2014) shall be required to reapply.

Deadline for submissions: April 16, 2015

Results announced and artists notified: May 12, 2015

Questions about Fort Worth Public Art or the application process? Please email Talkto@fwpublicart.org.

 

 

 

 

Kathleen Forrest

Public Engagement Coordinator

Arts Council of Fort Worth and Tarrant County

1300 Gendy Street

Fort Worth, TX  76107

 

817.298.3040 DIRECT

682.365.8457 CELL

kforrest@fwpublicart.org

www.fwpublicart.org

 

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The Maryland-National Capital Park and Planning Commission
REQUEST FOR PROPOSALS

Deadline: 5:00 P.M. EST ON THE 27TH DAY OF MARCH, 2015

GENERAL INFORMATION: The Maryland-National Capital Park and Planning Commission, Prince George’s Department of Parks and Recreation invites individual artists and artist teams with interest in and/or professional experience in creating public art and site specific commissions, to submit proposals for the William Beanes Community Center. There are two concurrent calls for qualifications for this site. Project 1 will consist of an exterior artwork on the facade of the facility adjacent to the main entrance. Project 2 will consist of an interior artwork located on the wall above the control desk near the main entrance. Artists and artist teams may apply for both, but no one artist or artist team will be awarded both commissions.

ARTIST SCOPE OF WORK
Project 1 The artist or team selected for this project will be responsible for developing and implementing a metal, mosaic or glass installation on the facade of the building adjacent to the main entrance. The artwork on the exterior wall will be visible from street level and is approximately 8 feet W by 22 feet H.
Project 2 The artist or team selected for this project will be responsible for developing and implementing a painted mural, metal, mosaic or glass installation on the interior wall behind the control desk. This artwork will be near the main entrance of the building and will be visible from the entrance to the multipurpose room. This artwork will be approximately 18 feet W by 6 feet H.

Public Art Goals
-Make a significant statement that relates to the sense of place associated with Suitland and has the potential to become a landmark or identifier for the neighborhood.
-Have a strong daytime and nighttime presence.
Set a high bar of excellence for future public art projects planned for Prince George’s County.
-Engage broadly with the overarching goal envisioned for future public art projects, which is to capture Prince George’s County’s historic and modern significance to the Greater Washington, D.C. region.

Budget Project budget, including materials, fabrication, installation, travel and expenses, is: $50,000.00 – Project 1 (Exterior Space) $15,000.00 – Project 2 (Interior Space)

ELIGIBILITY Professional artists and design professionals are invited to apply as individuals or teams. Candidates must have experience with painted murals, metal, mosaics or glass installation. Preference will be given to artists who have public art experience and are residents of, or maintain a studio in, Prince George’s County.

SELECTION PROCESS AND CRITERIA The selected two artists or artist teams will meet for a preliminary briefing with the Art Advisory Panel, after which they will be paid a stipend of $1,000 to further refine and develop their proposals. After the proposals are developed, the selected artists/ teams will be required to present their design proposal and maquette for review by the Art Advisory Panel which will make the final selection of the artists/ teams for issuance of a contract for production of the artwork.

HOW TO SUBMIT PROPOSALS: Qualifications must be submitted by mail or by hand to M-NCPPC, Arts Cultural Heritage Division. Proposals will not be accepted after the deadline. A COMPLETE SUBMISSION MUST INCLUDE ALL THE INFORMATION AND MATERIALS DESCRIBED BELOW:
1. Statement of Interest. Describe on one page your interest in the project and preliminary ideas for how you would approach this project. Submitting a specific proposal is not required at this time and will not be reviewed by the committee.
2. Resume and contact information, with a maximum of three pages outlining your professional accomplishments. If submitting as a team, please include resumes for each team member, with each resume being no longer than three pages.
3. Images of Past Work on CD. Artists/teams must submit ten images of past work. Please do not include label information in the JPEG image. One image per JPEG is preferred. Please also include a paper checklist of images.
4. Three Professional References, including name, affiliated organization (if appropriate), email address, phone number, and relationship to each reference.

ANTICIPATED SCHEDULE (SUBJECT TO MODIFICATION):
– Preliminary site visit: (TBA)
– March 27: Deadline for proposals due
– March 30 – April 3: Review of submissions and selection of artists
– April 6 – 24: Contract drafted and ratified with artist
– April 27 – May 4: Artist refines proposal
– May 11 – August 3: Artist fabricates and installs artwork

Questions:
Alec Simpson – Alec.Simpson@pgparks.com
Rush Baker – Rushern.Baker@pgparks.com

Arts and Cultural Heritage Division
Maryland-National Capital Park and Planning Commission
Prince George’s Department of Parks and Recreation
7833 Walker Drive, Suite 430
Greenbelt, MD 20770
301-446-3232 Voice
301-446-3233 FAX
301-446-6802 TTY