Each year, School 33 Art Center seeks to highlight the arts in Baltimore’s unique neighborhoods through the Open Studio Tour Community Spotlight Award, which supports neighborhood kickoff events in selected communities. This year’s Community Spotlight is Baltimore’s Cherry Hill neighborhood. On Friday, October 6 at 6pm, the Youth Resiliency Institute will host an artist reception featuring a number of Cherry Hill-based artists. A panel discussion focused on the intersection of community self-determination and the arts as well as equitable access to the arts in Baltimore City will follow. This free event will take place at the Cherry Hill Community Center on 2700 Spelman Road. We interviewed two artists participating in Friday’s Community Spotlight event, Mighty Mark and Dallas the Dollmaker, about their work and the arts in Cherry Hill.

CLICK HERE to view the Cherry Hill Kickoff event page.

And learn more about School 33’s 2017 Baltimore Open Studio Tour on our website: www.school33.org

 

MIGHTY MARK

Photo courtesy of Mighty Mark.

Born and bred in Baltimore City, Cherry Hill-native Producer and DJ Marquis Gasque AKA Mighty Mark, is the new torchbearer of the urban dance music genre known as Baltimore Club Music. Successfully bridging the gap between the intensity of old school club music and the futuristic style of the new school, his crisp production serves up unexpected but delicious combinations of urban vocals and chants, 80’s synths, 90’s drum samples and heavy booming 80s. These elements melt into thumping bass lines, making your pulse race and your body move. Each carefully crafted track is an individual work of art.

Mighty Mark’s original releases and remixes receive frequent airplay via Rinse FM, BBC Radio and Radio One FM Stations and with each release his fanbase increases as people catch on to the wave. With recognition and features via respected publications such as Complex, Vice/Noisey and Earmilk, the future is looking bright as Mark continues to DJ in Baltimore’s most popular venues, create club anthems and curates music on his label Zoo On Mars Entertainment.

Can you tell us a little bit about the work that you do and how you got into producing music?

I’m Mighty Mark, mostly known for Baltimore Club Music but also hip-hop, R&B, all kinds of styles of music. I’m from the Cherry Hill area, right down the street from this recreation center where we are now. I’ve been producing since about 2006, when I was in high school. When I was living in Cherry Hill I used to volunteer here at this recreation center with Ms. Shirley [Foulks] of the Youth Resiliency Institute, so I used to go in the computer lab and make music and beats with the kids and make club music with them. I used to help run the after school program Monday -Friday and then during the summer I helped with the summer camp for 5-6 years. I’ve seen a lot of the kids grow up and get jobs and some go off to school.

What does being an artist mean to you?

Being an artist has changed a lot even since I first began. In my music, I try to be true to myself and not follow trends. I try to give back to the community whenever I can, and also have culture surrounding my music. It’s not a gimmick, there’s always something more behind it. Even in the tracks that you see people dancing to, there’s really something deeper behind them as well. If I go to work, I work at Comcast, so if I’m really mad about something at work I go home and make a track. It might end up sounding angry or something, but it’s really a way to relieve the stress as well. Being an artist just means really expressing yourself on a musical level.

Do you think that working with the Youth Resiliency Institute has influenced your art?

It definitely has, because I’m more of a sponge—I like to have people around me when I’m creating. I’m not the type of person to say “Hey I came up with that, it’s all my idea.” And the youth always know what’s fresh and hot. I’m 28, so I’m getting old, but they’re something like 14 or 15 years old. When I started producing I wasn’t even making club music until I got to the recreation center—started seeing the kids dancing to it and playing it at parties and that sort of thing. That actually got me into Baltimore Club Music—this neighborhood right here.

How would you describe the arts community in Cherry Hill?

There’s not necessarily a place for artists here to gather, but there is a lot of talent here. And people find out how to make things out of nothing. There are a lot of skilled dancers and people that go into modelling and more, so the arts help to bring the community together. But we definitely lack in resources for people to gather, as well as basic tools—computers, microphones—things that people would need to record. But the arts may keep some people off the streets for a few hours and prevent them from doing things that they don’t want to do.

Would you describe this community center as a place where people come together?

Yeah! So the community center has always been a place to gather—it’s probably one of the longest open community centers in Chery Hill. Especially with Ms. Shirley [Foulks], she’s always had her doors open for anyone to come in—even just after school when you’re hungry she’d provide you snacks and anything of that sort–probably coming out of her own pockets.

Is there anything you want people to think about coming into the panel discussion that will take place at Friday’s kickoff event?

I really want parents or even leaders of the community to understand how important artistic outlets and artistic recreation can be for a child, as well as just how important music can be and how it can tie in to brain development and brain stimulation as well. Not even just music, any type of art. I feel like the arts have kind of taken a back burner. So even if you have the ability to put your child in a piano class or take them to a dance class—something of that sort. Even if you know how to dance and want to come here to volunteer, really if you have any artistic skill and you’re not just using it for yourself, you can share it with the world and share it with the kids as well.

Cherry Hill just had their inaugural Cherry Hill Festival recently, and now you’re having this neighborhood spotlight event. Do you see these as a way to kick start some of these conversations?

I definitely do. That was the first annual Cherry Hill Festival. I had the opportunity to DJ and my artist, TT the Artist, had the opportunity to perform. And during my set I brought two artists, who were born and raised in Cherry Hill—during my set they performed songs that I produced. I definitely think that it’s a step in the right direction and I think it’s going to be something big going on for years to come in Cherry Hill.

www.mightymarkadventures.com

www.goldroom410.com

https://www.facebook.com/iammightymark

Twitter: @iammightymark

Instagram: @iammightymark

 

DALLAS THE DOLLMAKER

Dallas the Dollmaker with his Demon Series at the Cherry Hill Community Center.

When Dallas the Dollmaker met me at the Cherry Hill Community Center to do this interview, he was kind enough to bring along a suitcase full of his creations to show me in person. There had to have been at least thirty dolls in that suitcase, each designed and created with great attention to craft and detail and each with its own intricate back story. The collection of dolls that Dallas brought with him was his Demon Series, and he tells me that his next series will focus on Angels. It is hard to describe the feeling of picking up each of Dallas’s dolls, one by one, and marveling at its features while hearing from the artist about how he designed and crafted it, which found materials he used, and how its character fits into the fantasy-based world that he has created.

Attendees to Friday’s Community Spotlight Event will have the opportunity to meet Dallas, view his artworks up close, and learn more about the Demon Series. In addition to creating these works, Dallas is also a skilled photographer and writer. The artist also works with young students through summer programs and workshops, teaching them the art of doll making and inspiring their creative practices.

How did you first become involved with the Youth Resiliency Institute?

I first got involved this summer. I was introduced to them by Ms. Stewart (one of the many case workers at Cherry Hill Homes–she is so awesome, I love her so much) and I honestly didn’t know I would even be a part of anything that they were doing. I was just told that they needed help with the Cherry Hill Art & Music Festival. So I thought that meant helping them with set up and if they might need anything made, but I had no idea that I would actually be in the festival. I had the chance to put my art work on display as well as show children the creative process that goes into my art work. That is how I became involved with YRI and I hope to continue to be involved with them and work on more projects as well as events.

Can you tell us how you began creating your dolls? 

I got started creating dolls in middle school when my art teacher, Mr. Walter, was showing us how different cultures make toys and gave the class a project to make our own dolls. I’m a bit of a perfectionist so I was determined to make one that was presentable. We had a week to turn in our finished project, so I worked really hard and it payed off because when it was my turn to present what I made my teacher was blown away. It was just something that I ended up loving and thought it was great way to bring my creations to life.

What is something that you think is special about Cherry Hill?

Cherry Hill has it’s good times and bad, but what I think what make is special is how close the community is and how some of the older kids and adults look after the younger kids to make sure nothing happens to them. I find that to be very cool.

Is there any advice that you would give to a young artist?

Always stay true to who you are and love what you do.

What are you most looking forward to during the kickoff on Friday?

I just hope everyone is super pumped because I want people to feel the energy in the room and to have a great experience.

 

School 33 Art Center and the Baltimore Office of Promotion & the Arts are pleased to announce that registration for the 29th Annual Baltimore Open Studio Tour is OPEN! See more information below.

The Deadline to Register is Friday, August 18th at 11:59pm

 
 
2017 School 33 Art Center Open Studio Tour

Saturday, October 7, 10am – 6pm

Sunday, October 8, 10am – 6pm

Bank of America is proud to present School 33 Art Center’s 29th Annual Open Studio Tour! An annual city-wide event, Open Studio Tour has brought together professional artists and the general public, giving collectors and art lovers the opportunity to visit the studios of visual artists. Traveling from throughout Maryland and the surrounding region to visit the studios of artists in Baltimore, visitors get a chance to meet the artist, see their work and a behind-the-scenes glimpse into their working processes. On October 7th and 8th, take the opportunity to share your work with the public and with other artists during this event.

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School 33 Art Center

School 33 Art Center, a facility managed by the Baltimore Office of Promotion & The Arts, is now accepting applications from artists for its 2017 Juried Group Exhibitions in the first floor Main Gallery. The two exhibitions will be on display Friday, September 1 through Saturday, October 28, 2017 and Friday, November 3 through Saturday, January 6, 2018. Between four to ten artists will be selected for each exhibition by the 2017 Jurors, Natalie Campbell and Jarvis S. DuBois, based on individual artistic merit and curatorial vision. Notifications of the Juror’s final decisions will go out on Friday, May 12, 2017. 

Applications are open to visual artists working in any medium who wish to have their most recent works considered. Through this open call, School 33 Art Center aims to present new work by emerging and established artists from the United States and abroad.

Deadline: Monday, April 10, 2017 at 11:59pm .

The fee to apply is $35.00, and includes a one-year membership to School 33 Art Center. 

To apply go here

Application Deadline:  Monday, April 10, 2017- 11:59pm.

School 33 Art Center is now accepting submissions from artists for our 2017 juried group exhibitions, to take place September 1 – October 28, 2017, and November 3 – January 6, 2018 in our first floor Main Gallery.  The call for entry is open to visual artists working in any medium. Through this open call, School 33 aims to present new work by emerging and established artists from the United States and abroad.  Our jurors will select between four and ten artists for each exhibition, based upon individual artistic merit and curatorial vision.  School 33 Art Center and the Baltimore Office of Promotion & The Arts will produce all related press materials, and will host an opening reception and coordinate exhibition-related programming.

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Everyone is invited to the Opening Reception of three exciting new exhibitions at  School 33 Art Center, this Friday from 6-9pm!

In our Main Gallery: WAVE and Particle, a group exhibition curated by Melissa Webb, featuring incredible light-based artworks by Tommy Bobo, Katie Duffy, Jenn Figg & Matthew McCormack, Karen Lemmert, Scott Pennington and Rachel Schmidt.

Engaging in a multitude of experiments utilizing such characteristics, the artists of WAVE AND PARTICLE harness light’s properties and behaviors through the use of LED screens and projection, materials such as glass, plexiglass, vinyl, and steel, as well as programmed motion, and human interaction. In doing so they continue the centuries-old tradition of asking questions—of both themselves and their viewers—regarding the nature of light. 

In the Project Space: or if there be flooding, an installation by Bonnie Crawford Kotula:

Bonnie Crawford Kotula’s studio practice is part science experiment, part meditation, and part mischief. Employing both cerebral and sensual faculties, she makes sculptures and installations that combine tiny LED lighting with simple materials like brightly colored found objects and cheap craft supplies. “or if there be flooding” serves as an imagined response plan to a potential catastrophe. The title of this piece is a fragment from Advice to a Wife and Mother, published in 1878. Flooding, in the context of the book, refers to postpartum hemorrhaging. However, this euphemistic language can be more literally interpreted to reference natural disasters or rising sea levels. Blinking lights aimed at shadowy vignettes of accumulated detritus in the installation signal tenderly to the viewer a warning, a lament.

And in the Members Gallery: Low Noise, a solo exhibition by Terence Hannum:

 Standing as geometric icons to decay and obsolescence, Terence Hannum presents several large-scale collage works which focus on a variety of textures, all exhumed from the discarded remains of commercial analog audio cassette tapes: colorful strips of leader tape and reflective brown Mylar, along with the gritty black marks made from peeling the magnetic dust from the backing. Hannum’s installation within Low Noise entitled Endless Gate emits a vocal drone loop through the use of two reel-to-reel tape players and spliced audiotape, the length of which is determined by the architecture of the space. Serving as both sculptural intervention and meditative sound piece, this work harkens to the Apocrypha of Brian Eno’s recording method and to Minimalist sculpture. With LOW NOISE, Hannum, a prolific musician who appears solo, with metal trio Locrian (Relapse Records), and with dream-pop trio The Holy Circle, asks us to consider both the living and the dead states of recorded media.

You can find more info on the Facebook event page: https://www.facebook.com/events/941960299272439/

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Join us on Saturday, December 3rd at 1pm for an artist talk with C. Harvey! C’s solo exhibition, ‘The Re-Education’ is on view in our Members Gallery from November 11, 2016 through January 21, 2017.

Review of the exhibition on Bmoreart: http://bmoreart.com/2016/11/the-re-education-of-c-harvey.html

The Re-Education is an exhibition featuring mixed media and sculptural works, photography, and text in an introspective analysis of the internal and external forces that have helped condition the gifted black mind. Exploring the emotional and psychological factors that cause and enforce the poverty mindset, the collection presents a new perspective on the narrative of institutional, social, societal, economic, and generational pathology that lend a hand in perpetuating the misunderstanding and exploitation of the 21st century black in America.
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Civin OverallInstallation view of This table is a drum/These feet are drumsticks/And I’m sick of it by Marcus Civin. Photography by Kim Llerena.

School 33 Art Center Presents:

Shape Shifters: Performative Constructions By Renee Rendine, Marcus Civin, and Bobby English Jr.

Curated by Melissa Webb

 

What follows is a dialogue between artist Marcus Civin and curator Melissa Webb. Marcus Civin’s performance installation, This table is a drum/These feet are drumsticks/And I’m sick of it will be on view at School 33 until June 18, 2016, as a part of Shape Shifters: Performative Constructions.

Civin will perform Saturday, May 14 at 1:00 pm and Saturday, June 11, at 12:00 noon. The June 11 event will feature performances by Civin and Bobby English Jr., and a panel discussion featuring Laure Drogoul, Alessandra Torres, Leslie Rogers, and Hoesy Corona and Ada Pinkston of Labbodies performance art laboratory, as well as the artists and curator of Shape Shifters.

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