Request for Qualifications for the: Austin Art in Public Places Pre-Qualified Artist Pool

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The City of Austin requests qualifications from professional visual artists who live and work in the United States.

Budgets range from $20,000. to $300,000.

Application deadline is Friday, January 30, 2015, 5:00 pm (CST) Apply online at www.PublicArtist.org

For more information, please visit:

www.austincreates.com

www.publicartist.org/AustinAIPP

The City of Austin Art in Public Places (AIPP) program of the Cultural Arts Division, Economic Development Department (EDD) seeks exceptional emerging and established artists working in a variety of visual media and artistic approaches for its 2015-17 Pre-Qualified Artist Pool.

Selected artists or artist teams from the Pool may be contracted to design and fabricate artwork for eligible Capital Improvement Projects (CIPs) of various scopes, timelines, and budgets throughout the City of Austin. Artwork budgets are expected to range from $20,000 to $300,000, and artwork opportunities exist in a variety of public settings and facilities. Artists working in a variety of media will be considered.

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The Suwanee Public Arts Commission (PAC) is seeking proposals from artists and/or artist teams for design, execution, and installation of original outdoor sculptures to be displayed for a period of just less than two years, from May 2015 through the end of March 2017, in downtown Suwanee.   The objective is to have a well-balanced exhibit of sculptures with a variety of styles, types, and sizes.  The deadline for submissions is January 9.  See the RFP.

MAYOR RAWLINGS-BLAKE SELECTS LIGHT CITY BALTIMORE PROPOSAL FOR BLOOMBERG PUBLIC ART CHALLENGE

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Mayor Stephanie Rawlings-Blake and the Baltimore Office of Promotion & The Arts are excited to announce the selection of Light City Baltimore’s “Festival of Light, Music & Innovation” as Baltimore’s submission to the Bloomberg Philanthropies Public Art Challenge. “Light City Baltimore’s vision of a city-wide light festival will bring together artists, engineers, architects, educators, students, and neighborhoods; all while showcasing Baltimore’s innovation to the world,” said Mayor Rawlings-Blake. “While all of the final submissions were unique and innovative, I believe the Light City Baltimore proposal has the best chance at competing for the available funding on a national level.” The Bloomberg Philanthropies Public Art Challenge will grant at least three cities up to $1 million over two years to support temporary art projects.

For the competition, each city may enter only one application, selected by the Mayor, which represents collaboration between the City and an artist and/or arts organization. Submissions were accepted from all artistic disciplines including multi-media, visual and performing arts. The final four proposals were submitted by Section 1, Light City Baltimore, Lab Bodies and FORCE.

For more information on the Bloomberg Philanthropies Public Art Challenge, call 410-752-8632 or visit www.promotionandarts.org. Additional information can also be found at www.publicartchallenge.bloomberg.org.

City of San Diego Commission for Arts and Culture Request for Qualifications MISSION HILLS/HILLCREST BRANCH LIBRARY PUBLIC ART PROJECT

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Art Budget: Approximately $280,000.
Eligibility: Any artist or artist team authorized to work in the U.S.
Application Deadline: Tuesday, January 6, 2015 before 4:00 p.m. PST The City of San Diego is seeking applications from interested qualified artists to provide public art services for Mission Hills/Hillcrest Branch Library Public Art Project. An artist or artist team is sought to design, fabricate and install permanent, site-specific artwork(s) at Mission Hills/Hillcrest Branch Library.

Please visit the following link for more information: http://www.sandiego.gov/arts-culture/publicart/artistopps.shtml

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Mural Artist Prequalification Program

Call for Submissions:  deadline January 9, 2015

The Arts Council of Indianapolis seeks to establish a new pool of highly qualified artists and artist teams for a number of open calls and commissioning opportunities for outdoor murals (wall-based artwork) over the next several years.

Artists who qualify will be eligible for selection for mural projects with budgets up to $100,000.  Budgets are inclusive of design, travel, artists’ fees, fabrication, installation, insurance coverage, and all other costs associated with the design and production of mural artwork.

 

Eligibility

  • Artists working in all media and styles are encouraged to apply.
  • Artists must be at least 18 years of age and live in the United States
  • Prior experience with public art commissions is not a requirement; however, applicant artists and artist teams must demonstrate the ability to design and successfully complete large-scale, exterior, wall-based work.

 

Selection Criteria

Submissions will be evaluated based on the following:

  • Artistic quality: artist’s submission displays a record of appropriate, yet innovative, concepts brought to a site or project, and documents creative and stylistically distinctive solutions to design and site challenges
  • Aesthetic sensibility: artist’s work displays an aesthetic that would be desirable for a project for Indianapolis
  • Technical ability: artist’s submission indicates skill with materials and techniques similar to those that would be required for likely projects
  • Experience: artist’s submission has indicated familiarity with clients and conditions similar to those that would be used on likely projects, or has demonstrated the ability on past projects to quickly acquire the skills needed to be successful on a project similar to what the artist will encounter in Indianapolis
  • Process: artist’s materials indicate that the working relationship will be pleasant and the completed project will successfully meet likely challenges, including completing all documentation and managing the given project budget

 

Submission Requirements

Artist must submit the following on one CD:

  • Applicant Information: Complete the questionnaire on page 4 and 5. An editable digital version can be provided upon request.
  • Cover Letter / Statement of Approach: This letter should be no longer than one typed letter-sized page using 12-point font and 1-inch margins on all sides.
  • Professional Resume or CV: No longer than 3 pages
  • Work Samples: (up to 10 digital images)
    • Please submit examples of artwork that best represent your experience, style, and ability. You may also submit images of any other pieces (large scale or otherwise) that best represent your work over the past 5 years.
    • Format: JPG or PDF files for static images.  BRIEF video clips in Quicktime, MOV or MP4 may also be submitted.
    • Good quality, no smaller than 3” x 5” at 72 dpi
    • No hard copies – electronic files only
    • Name files according to the following format:
      • jpg, LastName_02.jpg, etc.
    • Work Sample List: Include a list of the work samples included on the CD and as much information about each of the samples as possible (include name/title of piece, year completed, client name, location, medium, dimensions, process, and any other applicable and pertinent information). Here is an example of a an entry:
      • Searching and Finding, 123 N. Main Street, Indianapolis, IN, acrylic on brick, 10’ x 30’ x 4’, 2009, JaneArtist_01.jpg.

Each artist must label the submitted CD with his or her name and “MURAL PREQUALIFICATION PROGRAM”.

 

Delivery of Submissions

All required materials must be delivered by 5:00 p.m. (EDT) on Friday, January 9, 2015.

 

Submissions MUST be delivered or mailed to:

Arts Council of Indianapolis

Attn: Mural Prequalification Program

924 N. Pennsylvania Street

Indianapolis, IN 46204-1021

 

We will not accept submissions via email.

 

 

Please review the following for more information:

 

Why are you prequalifying artists?

Because there will be calls for artists coming out up to twice a year or more, it does not make sense for every highly qualified artist to reapply for consideration each time.  Creating a pool of prequalified artists makes it easier for such artists to indicate their interest without having to go to the effort of sending materials each time.  Having a pool of prequalified artists also makes it efficient for the Arts Council to address “pop-up” mural projects as funding and time permit, and to turn projects around more quickly.

 

What does “prequalified” mean?

Being named as a prequalified artist means that when a new call comes out, you can simply email the Arts Council by the given deadline and indicate that you want to be considered.  The selection panel has already reviewed and approved your aesthetic, experience and technical skill and you will automatically move into the finalist group for that call.

 

Am I guaranteed a commission if I am on the prequalified list?

No.  The entire finalist pool—prequalified artists as well as artists who applied at the time of the open call—will be reviewed for a good match between artist, site and community.  There will almost always be more interested and qualified artists than there are commission opportunities, so some finalists, including prequalified artists, will not receive commissions.

 

Are prequalified artists given preference for new projects?

No.  Although the artist’s skill, experience and quality have been approved, much more goes into the matching process.  Every finalist—prequalified or not—is considered equally at the time of each fresh group of opportunities.

 

Once prequalified, will I stay prequalified forever?

No.  The designation will last for three years and then you will need to again send your materials in response to an open call for mural artists.

 

If I am not prequalified now, when will be my next chance to try again?

Simply apply to the next open call for mural artists.  When we review the applicants we will ask the selection panel if they feel any should be on the prequalified list.  We will do this for each open call.

 

I’ve applied to several Arts Council mural projects but never received a commission.  What can I do to improve my application so I can become prequalified?

The path to prequalification will differ for each artist.  The best thing to do is to set up an appointment with the Arts Council’s public art staff for a private consultation.  We can analyze your selection panel score records with you and help you develop your next steps.

 

Additional questions?  Contact:

Julia Muney MooreDirector of Public Art

jmoore@indyarts.org

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Lindsey LordPublic Art/Artist Services Coordinator

Llord@indyarts.org

(317) 631-3301 x214

 

 

 

 

 

 

 

 

 

 

 

There have been a few great articles about public art recently published that get into the tricky issues of how public art is produced in various American cities. These are well researched and reasoned arguments and well worth the read!

The Washington City Paper investigates how public input was sought into the 5×5 public art festival by the DC Commision of the Arts and Humanities HERE.

Artist Mia Feuer

Artist Mia Feuer

 

The Minneapolis Post writes about the politicized de-funding of their public art program for 2015 and all the related fallout of how public art can factor into a city’s desire to be perceived as a creative city- story linked HERE.

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Review of new public art projects in Lansing, Michigan HERE.

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Debates over the possible de-accessioning of a Robert Irwin sculpture in Dallas, via Artnew news- article HERE.

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Buffalo, New York working to combine public art projects with classrooms in their city schools, article HERE.

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Congratulations to community artist Iandry Randriamondroso on the successful completion of his B’MORE Birds project!

Over the course of the last several months, Iandry has worked closely with residents of the communities along the York Road corridor between Glenwood and 43rd street to create a series of five murals depicting native birds of the Govans forest patches. Last Friday, BOPA joined corridor residents, York Road Partnership, Govanstowne Business Association, Loyola York Road Initiative, Councilman Bill Henry and the Department of Transportation in celebrating Iandry’s work.

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ABOUT THE BIRDS

Rileys Beauty

The Oriole

4331 York Road

Baltimore Orioles are bright orange birds with black and white wings that sound almost as beautiful as they look. Their smooth, whistling songs are commonly heard in orchards, backyards, and gardens. Baltimore Orioles mostly eat insects and fruit, such as raspberries and mulberries. Their sturdy, hammock-like nests are suspended from branches high in trees, woven together with grasses, hair, spider webs, twine, and wool.

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The Cedar Waxwing

4811 York Road

Cedar Waxwings are bold colored birds with rusty brown bodies, black face masks, and orange or yellow wax-tipped tails. They are often found in flocks, filling themselves with berries from a variety of plants, such as mulberry trees and honeysuckle shrubs. They are common in residential areas, staying in Maryland all year round.

Afrik Salon

The Red-bellied Woodpecker

5017 York Road

Red-bellied Woodpeckers are common woodpeckers found in wooded areas that have a red cap, black wings, and a warm beige belly. Their large black bill is used for drilling into dead wood to pull out insects and larvae with their barbed tongues. They also drill cavities inside dead trees to lay 2-6 eggs and raise their young over a month-long period.

Academy Cleaners - South Wall

The Blue Jay

5219 York Road

Blue Jays are the local noisy neighbors in wooded residential areas, with their loud jaaaaay calls that easily distinguish them. They are pale to bright blue and white birds that eat a variety of insects, nuts, and seeds. They also sometimes eat eggs from other birds’ nests and are aggressive at the local bird feeder. Blue Jay eggs are blue to light brown, within nests placed approximately 20 feet above ground in trees.

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The Black-and-White Warbler

5219 York Road

Black-and-white Warblers are small, black and white striped birds that live in forests. Often seen creeping along tree branches, they eat a variety of insect larvae hidden in the wood, along with ants and beetles. They spend the winter months in Mexico and migrate up to Maryland to breed in the summer, building well-hidden nests on the ground near tree trunks.

This project was made possible by funding from the Baltimore City Department of Transportation as part of Baltimore’s 1% for Public Art Program