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Does your weekend to-do list include “get a blast of inspiration,” or “become a better photographer…and enjoy every second of it!”?

If these items appear on your list, our Photo Weekend in Baltimore can help! Instructors Tim Cooper and Jimmy White provide dynamic seminar-style photo courses that are equal parts education, inspiration and good old-fashioned fun!

This Photo Weekend is designed so that you can tailor your own learning experience to your own needs. Here’s how it works: Over the course of the weekend, several sessions are offered. Each session contains two courses. You choose the course that sounds most appealing and applicable to you. The courses within each session are diverse, and offer fitting options for beginners through intermediate amateur photographers. For example, if you have been intimidated by your SLR and want to learn the essentials of photography, in Session One you might elect to attend Photography Basics rather than Workflow: Processing Your Images with Adobe® Lightroom®. Not interested in Shooting and Processing HDR and Panoramic Images? No problem. Simply attend Composition: Designing a Great Photo instead. It’s up to you! The final session of the weekend is an engaging, lively and anonymous group critique led by your instructors, which further reinforce many of the topics you learned throughout the weekend.

But that’s not all. A Photo Weekend also includes door prizes, possible visits from industry representatives and your local camera club(s), networking opportunities as well as a designated time for you to learn about the other amazing programs offered by RMSP. These two-day seminars are a convenient, affordable way for you to further your skills without wreaking havoc on your schedule.

Having “Attend RMSP Photo Weekend” on your to-do list will give you something fantastic to look forward to all week!

https://www.rmsp.com/weekends/2015-baltimore-maryland/

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Overview The Bernard/Ebb Songwriting award is seeking the area’s best songwriters to compete for a chance to perform for a live audience and win a $10,000 grand prize. Both individual songwriters and bands are encouraged to apply.

There will be multiple rounds of judging for the competition. A jury of esteemed judges will select the semi-finalists. The Grand Prize Jury will then review the semi-finalists’ submissions and select the finalists who will each perform two of their original songs at the live performance on March 6, 2015. The Grand Prize Jury will select the first Bernard/Ebb Songwriting Award winner and winning Young Songwriter during the live performance.

Each applicant must submit three original songs, a maximum of 4 minutes per song. Applicants under 17 must submit two original songs.  All musical genres are accepted and each song must include lyrics.

  • Adult/Contemporary
  • Broadway/Musical Theatre
  • Country/Bluegrass
  • Folk/Acoustic
  • Gospel/Inspirational
  • Pop
  • R&B/Hip Hop/Urban
  • Rock/Alternative
  • Vocal Jazz/Blues
  • Open

Original songs must be uploaded to the online submission form (we accept .MP3, .WAV or .M4a files or a SoundCloud hyperlink) or submitted on a CD with the mail-in application.

Judging will be based on:

  • Composition
  • Lyrics
  • Originality
  • Melody/Harmony

Lyric Sheet Requirements:
A lyric sheet for each song must be provided with the submission.

  • Typed
  • Include title of song
  • Chorus & verses clearly labeled
  • Double space between sections of the song
  • Year song was written noted at the bottom

*The names of all contributing writers must be included on the entry form. It is the responsibility of the entrant to divide any prizes with co-writers as appropriate.

 

Eligibility

Songwriters must be 18 or older and permanent, full-time of Maryland, Washington, D.C. or Virginia. Young songwriters, ages 17 and younger, are eligible for the Young Songwriter category.

All songwriters and performers must be available to perform their original songs for a live audience in Bethesda, MD on March 6, 2015.

Restrictions

• Applicants must not have made more than $5,000 in publishing royalties in 2014 and can’t be employed as a staff writer for a publishing company, nor have been paid for such services by a publishing company.

• Each entry must be original and shall not infringe on any copyrights, or any other rights of any third party. Each applicant shall hold Bethesda Urban Partnership and the Bethesda Arts and Entertainment District from and against claims inconsistent with these requirements.

 

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Residency Unlimited Co-sponsored Visual AIDS Residency

March 2015

A one-month residency, to take place in March of 2015, in New York City for a curator, art historian, or arts writer interested in the intersection of visual art and HIV/AIDS. Co-sponsored by Visual AIDS and Residency Unlimited, the curatorial residency seeks to encourage the development of exhibitions, programs, and scholarship about HIV/AIDS and contemporary art.

Residency Unlimited will provide the curator with customized administrative and network support, shared office space at 360 Court Street in Brooklyn and a venue for a public program (lecture/screening/discussion) defined in conjunction with RU and Visual AIDS. Concurrently, the resident curator will conduct research at Visual AIDS in the Archive Project and online Artists Registry. The Visual AIDS office is located in the Chelsea art district in New York City. The Archive and Registry at Visual AIDS holds over 20,000 images by approximately 662 artists living with HIV and those who have passed away. Studio visits with artists from the Archive Project are strongly encouraged. The resident curator is invited to create an online exhibition to be hosted by Visual AIDS (see Visual AIDS monthly Web Galleries at: http://www.visualaids.org/gallery).

The resident curator will be invited to produce a free, public event co-hosted by RU and Visual AIDS. Panel discussions, film screenings, performances, or a lecture highlighting the curator’s use of Visual AIDS’ resources or a presentation of international cultural production around HIV/AIDS are examples of potential programs.

The residency includes round-trip transportation to New York City, accommodations and $1000 stipend.

International applicants are strongly encouraged to apply. English speaking and writing skills are required

Please submit a C.V. and a Statement of Purpose (maximum 2 pages) outlining your goals for the residency, and any past or current projects that have led you to cultural investigations around HIV/AIDS. Special consideration will be given to applicants living outside of NYC from locations without support for cultural production about AIDS, LGBT, and gender issues.

Applications are due November 7, 2014. Applicants will be notified by December 8, 2014

The one-month residency must take place between March 1 and March 31, 2015

For more info, please click here.

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CRP Community Info Session on October 29th, 6:30- 9pm, at the Baltimore Design School! RSVP HERE

Baltimore Design School
1500 Barclay St.
Baltimore, MD 21202

About Critical Response Process (CRP)

Liz Lerman’s Critical Response Process is a widely-recognized method that nurtures the development of artistic works-in-progress through a four-step, facilitated dialogue between artists, peers, and audiences. In use for over 20 years, CRP has been embraced by artmakers, educators, and administrators at theater companies, dance departments, orchestras, museums and more. CRP has deepened dialogue between artists and audiences; it has enhanced learning between teachers and students. By extension it has proven valuable for all kinds of creative endeavors, work situations, and collaborative relationships within and beyond the arts, from kindergartens to corporations.

Liz has led dozens of Critical Response workshops and intensives on four continents. A few recent examples include intensives at the University of Georgia, to theater practitioners in both Ireland and Scotland, and with the Blue Touch Paper new-works series of the London Sinfonietta. In 2013 she traveled to Australia to teach CRP intensives on both coasts.

CRP in Baltimore

The Greater Baltimore Cultural Alliance (GBCA) is excited to be bringing Critical Response Process (CRP) training to Baltimore. As part of GBCA’s professional development services and with support from the William G. Baker, Jr. Memorial Fund and the Robert W. Deutsch Foundation, Ms. Lerman and her colleague and co-author John Borstel will personally conduct all training sessions.

On Wednesday, October 29, Liz Lerman will lead a free, introductory session on Critical Response Process for 75 to 80 participants. Individuals should expect to actively participate in the session and must come prepared to discuss a project or work in progress to explore during the training. (A full schedule may be found below.)

Liz Lerman will provide leadership for six sessions and will be supported by John Borstel for three of these sessions. Facilitators-in-training will begin offering their services to local organizations and artists but will do so in pairs. The pairing process has been found to support the quality of facilitation and engender confidence and further learning on the part of the facilitators. The facilitation service will be offered through the GBCA website, but all agreements will be made between the facilitators and the individual or organization contracting for their service. The facilitator teams may charge a modest fee for their services. Participating organizations and artists will be surveyed on the quality and impact of CRP.

http://www.baltimoreculture.org/programs/professional-development-training/critical-response-process-crp#.VFD6lDTF81I

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2014 Highlandtown Arts District Exhibition

An annual multi-venue extravaganza highlighting the talent and nexus points of art activity in Highlandtown

Qualifications:  Must be a resident or maintain a studio space in Highlandtown,
or be a member of the Creative Alliance

Exhibition Dates (all locations):  November 14 – 29, 2014

All Opening Receptions:  Friday, November 15th

ALL ARTWORK MUST BE DROPPED OFF WITH THIS FORM COMPLETED
on Tuesday & Wednesday, November 11th & 12th at the Creative Alliance by 7:00 pm.

ALL ARTWORK MUST BE PICKED UP FROM THE VENUE WHERE YOU SHOWED BYTHURSDAY, DECEMBER 4th

NO LATE ARTWORK WILL BE ACCEPTED, NO EXCEPTIONS!

Submit up to 3 pieces to be exhibited at one of eight (8) Highlandtown venues.
Venue decisions for all artworks are collaboratively made by the gallery directors of each space: The Amalie Rothschild Gallery at the Creative Alliance, Dan Schiavone Fine Art, Threadquarters BTQ Gallery, Highlandtown Gallery, Roof Top Hot, Two-Tone Artistry & Vapors, High Grounds Coffee Roasters, and the new Cohesion Theater

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Sentiments Winter Inspired Work December 2014 Call for Art
Mail Checks Attention to Erin McElroy, Lakeside Legacy Foundation
401 Country Club Road, Crystal Lake, IL 60014

APPLY TO THIS CALL

Submit works that evoke emotion of the winter season, a memory of a gift received/opened or one you once gave. Reflections from a poem, word, or lyric/verse that captures the ‘sentiments’ of the season can be reflected in the submission to the ‘Winter Reflections/Sentiments’ call for art. One to three works from each applicant, applications will be juried and selected. The jury encourages artists to submit work(s) that express/interpret the theme through their own unique lens and definition of ‘Winter Sentiments’. We are looking for the exhibit to compliment the holiday season, winter months, and bring some warmth and happiness to the Lakeside Legacy Foundation. Entry deadline is October 27th.

All two dimensional works are encouraged, mediums may be varied. Artists should be aware that there are considerable Holiday decorations such as trees, garland, and plants. No decorations will cover work, but will be throughout the historic property. The Sage Gallery at Lakeside is located within the 1922 annex (once the original country club) now the arts park main gallery.

Accepted work will be a part of the December 5th First Friday from 5pm-8pm. The exhibit will be publicly displayed from December 5th – 22nd. This juried exhibit joins a time honored Christmas at the Dole holiday experience on December 5th that boasts attendance between 300-500 people.

This gallery opening on 12/5/14 includes complimentary appetizers provided to guests by Lakeside Legacy Foundation and a cash bar. Lakeside jointly markets with all accepted artists to promote this event. Marketing includes press releases, fliers, social media, postcards, etc. Each individual artist is expected to co-promote the event. Art sales are encouraged and the installation agreement details the 30% commission to Lakeside on any art sale. Sales tax is added to the final price of the art, and artist must submit pricing that includes the 30% commission amount. The application fee is $30 non-refundable fee. All accepted artists are required to complete a gallery agreement/contract and hold harmless. Artists who sell work must fill out a W9 form before art sales payment checks will be issued. Lakeside Legacy Foundation can take cash, check and credit cards for art sales.

Applications require 1-3 works of 2D art. Jury must receive the actual images you want reviewed for the showcase. Please submit professional/high resolution images for the jury to review. JPG must be titled, include actual dimension of work, and accurate orientation of the image. Original work, no prints.

Artist Guidelines

·         Lakeside works with rotating sets of jurors to choose work for each event. Incomplete entries will not be considered nor refunded.

·         Entry fee is nonrefundable or transferable.

·         Accepted works must be hand delivered Lakeside Legacy.

·         Foundation accepts no responsibility for unpacking. No shipments will be received.

·         The artwork installation date for accepted artists is Monday, December 1st from 9am-5pm.  Lakeside will work in conjunction with the artist to install work.

·         The take down date is Monday, December 22nd from 9am-5pm and artists will pick up their work at Lakeside. If artwork is not picked up by the agreed upon date a $75 storage fee per day will be assessed.

·         Work must come prepared and ready to install. Prepared work must be framed and wired (no saw tooth).

·         If not framed, mounted and matted and wired on the back.

·         A label must be affixed to the back of the artwork with the artist’s name, work title, and sale price.

·         Artwork must be professionally presented.

·         Title card should be on card stock no larger than 4in. x 4in.

·         Artists must also include a printed artist statement presentation ready. Can be printed on card stock or framed/mounted. Artist statement can’t be larger than 8in x10in.

·         Please provide any special hanging requirements

·         “1st  Fridays” and the curator reserve the right to reject any artwork that is deemed unsuitable including but not exclusive of work not ready to hang, unprofessional presentation, concern for condition of the piece, representation different than jpg or space availability.

·         Additional artist insights, quotes, or inspirations, business cards, or exhibit theme descriptions can be framed, mounted, and included into the exhibit if mutually agreed upon by Artist and Lakeside representative.

·         The Sage Gallery system is the Walker Hanging System.

·         Please download the floor plan site system to review the gallery walls and hanging system examples.

·         Substitutions of artwork are not allowed.

·         All accepted work that is for sale will be subject to a 30% commission if sold. Artists must submit at W9 before any sales checks will be issued. If not for sale, a title card must be included that states the work is not for sale or a part of a private collection.

·         Accepted artists must provide a price sheet that includes the title of the piece, size, and cost including the 30% commission fee.

·         Although “1st  Fridays”  and Lakeside Legacy Foundation will make every reasonable effort to protect your work while it is in our possession, we are not legally responsible for it. Therefore, please consider insuring your work while it is in our possession.

·         Submitted artwork may be used for exhibition purposes and publicity.

·         Artists are encouraged to attend the 12/5/14 art show from 5pm-8pm, market the event, and if unable to attend send a representative to the art show.

·         Accepted artists must sign a gallery agreement and hold harmless form that outlines exhibit specific information, guidelines, and details about the First Friday art show and installation and art take-down.

·         Artists are responsible for insuring their own work and/or equipment, taking down their own work, and providing labels/artist statement for their work.

·         Artist to accept full and total responsibility for all items/entries and agree to hold harmless the Lakeside Legacy Foundation, its officers, directors, sponsors, patrons, tenants, volunteers and its individual members from any liability or responsibility for any damage or loss to my person or any and all artwork submitted by the artist and so exhibited or in any way connected with the First Friday art show or the timeframe the work in on display.

·         USE OF NAME APPROVAL: Artist must submit, prior to use, proofs for any/all materials where the Legacy name and/or logo is used to market Artist show, exhibit, art sales of First Friday art show. Legacy will supply digital art and strict guidelines for its use, upon request.

·          A cancellation will result in a $30 fee to Lakeside Legacy Foundation. I have read this Agreement. I understand my responsibilities and agree to the conditions stated herein and on any required Addendum to this Agreement. A cancellation my also result in the artist being unable to apply to showcase for future events or art shows.