Want to present? Fill out this short proposal.

Ignite is about sharing your passions, inspiring others & sparking discussion on a variety of topics…but make it quick. Each speaker gets 20 slides and 15 seconds per slide. The slides automatically advance. It’s a format that keeps things lively and interesting.

We usually call for speakers about three months before each Ignite event. We ask you to submit a short proposaldescribing your idea. A panel of judges reviews each submission in order to select 12+ speakers. We announce those speakers about a month ahead of time.

Proposal Guidelines

First things first: there arenʼt any rules when it comes to proposing an Ignite talk. We donʼt place any automatic restrictions on subject matter and youʼre free to submit anything you like. Each proposal is judged equally and on its own merits.

View our application to speak.

That said, our goal is to assemble an interesting program that will inspire the audience and get them talking. So in order to help meet that goal, weʼve put together some notes on what we are and arenʼt looking for in hopes that itʼll help you formulate your thoughts.

Keeping the following in mind, then adding liberal doses of individuality and creativity, will significantly improve the odds of your talk getting chosen.

1. Ignite talks are a forum for ideas, not for marketing.

This is as close to a hard-and-fast rule as we have. Anything that looks or feels like a proposal designed to market or promote a business, an individual, or a product will almost certainly not be chosen. Itʼs not that youʼre not allowed to talk about your work or your business, but if you intend to do so it should be in such a way that it informs a larger idea.

Think of it this way: you should never be selling from the stage. A good talk about a good idea (or ideas) will engage and excite people on its own merits. If you donʼt think your proposal fits that criteria then it probably doesnʼt.

2. The goal is to get people thinking and talking.

There are countless ways to do this. For example, you can:

  • Come up with and explain an innovative way to solve a problem
  • Show people a new or unexpected way to look at something familiar
  • Pull back the curtains on a complex process
  • Show how something isnʼt what it seems
  • Show how something is what it seems but maybe shouldnʼt be
  • Challenge or debunk a preconceived notion
  • Illuminate a fascinating but hidden bit of culture
  • Give people a challenge they can act upon (without demanding that they do so)
  • Present a new way to consider an opinion
  • Present an old but forgotten way to consider an opinion

3. Donʼt propose to speak primarily as a representative of an organization.

Obviously every speaker by nature represents her or his activities and work. Sometimes thatʼs a critical component of a good talk. But, again, a strong proposal will show that the idea comes first. Your organization (or business/job/cause/politics) should be secondary to the strength of what youʼre proposing to present.

4. Original is good.

People come to Ignite to see things they havenʼt seen anywhere else. Thereʼs nothing wrong with giving a talk that youʼve given before but we encourage you to think beyond that. If you are proposing a talk that youʼve given before, consider adapting it and making it fresh and new.

5. Mind the format.

Anyone who has ever given an Ignite talk can tell you that they are tough. The format is weird and challenging. So, keep that in mind as you think about your proposal and try to develop something that will work well within the 20 slides, 5 minutes,15 seconds each restriction. Better to build that into your thinking from the beginning – itʼll come through in the way you write up your proposal and, ultimately, make for a better talk if youʼre chosen.

6. Be creative, and have fun.

The best talks weʼve had have been the ones that were fueled by true passion. If you start there, it will come through in your proposal and that means weʼre much more likely to notice your idea and include it in the program.

7. Take the proposal seriously and treat it as a dry run for the talk itself.

Itʼs always easy for us to tell which proposals have been thought through and which were cobbled together. Itʼs also generally pretty easy for us to tell which proposals were truly created with the Ignite format and audience in mind. The ones that get both of these things right always have a better chance of getting picked than the ones that donʼt.

8. Prepare something that wonʼt require you to read from a paper.

If your talk is selected, we will ask that you not read it from notes when youʼre on the stage. Doing so greatly diminishes the impact. So, when considering your proposal, put together something that youʼll be able to rehearse and then deliver in a way that allows you to fully engage the audience.

9. Watch past talks on the Ignite homepage.

Some of the most interesting talks from past editions of Ignite are featured on our homepage at ignitebaltimore.com. We strongly encourage starting there and getting familiar with what has worked well in the past.


Still have questions? Feel free to drop us a line at info@ignitehowardcounty.com
and weʼll be happy to try to help. Please keep in mind, though, that this is a volunteer effort and while we reply as quickly as we can, patience is appreciated.

Most of all, thanks for your interest. Weʼre looking forward to hearing what you have to say!

Speaker Guidelines

Please provide 20 slides. We will show the slides for 15 seconds before automatically advancing them.

We do not allow animation. You may be able to incorporate music or short video elements if you coordinate with us far in advance.

It’s best not to be literal with your slides – imagery will be much more effective than text in this format, so try to have at most a few words per slide (no words = just fine, too).

Do not include a slide with your name or presentation title; we provide that for you and this slide doesn’t count towards your 20 slide limit.

This format is very unique and you should plan to rehearse extensively, even if you are an experienced speaker.

You can create your presentation in PowerPoint or Keynote. However, we’d like you to export your slideshow to a 1024×768 Adobe Acrobat PDF before sending it to us.

Read more guidance from Preston Lee.

Call For Visual Artists: Autumn & Winter 2015, Apply Now!

Deadline: 06/04/2015

Application period open for creative residencies in a coastal urban context

LINEA DE COSTA:
The Linea de Costa Artist in Residence Program is a initiative organised by Linea de Costa, a private non-profit organisation based in the coastal city of Cádiz (Spain). The artist in residence program aims to stimulate creativity through interaction with the local environment, artists and cultural institutions, and seeks to foster cross-cultural relations between participants and the local artistic community in Cádiz.

STUDIOS:
The Linea de Costa AIR Studios are housed in ECCO Cádiz (Espacio de Creación Contemporánea), located in the city’s 18th century artillery barracks.

The shared studios are equipped with the following:
– Wireless Internet Connection.
– Separate working area for each artist with a large worktable, stools, power sockets and shelving.
– Reference material (with study area).
– Common area for breaks (microwave oven, kettle, fridge).
– Large roof terrace (165 m2) with sea views.
– Materials and equipment: projector, screen, scanner, MIDI keyboard, DVD players, stationery equipment (craft knives, self-healing cutting mat, staplers, rulers, felt tip pens etc.), jigsaw, drill, Dremmel multi-tool, tool set (hammers, screwdrivers, hacksaws etc.), extension cables, electric stapler, two portable halogen lamps (500 watts), airbrush compressor, potter’s wheel, option of firing small ceramic pieces (the kiln is located off site), plastic buckets and utensils, glue gun, two easels, whiteboard…

ACCOMODATION:
Artists will be accommodated in private rooms in our fully equipped, attractive and comfortable shared apartment, conveniently located in the town, very close to the studios and the city’s cultural and commercial centre.

WHO CAN APPLY:
– Artists from any discipline and nationality. Applications are not open to artists born or resident in Cadiz and its province.

HOW TO APPLY:
Please email:

Personal information
– Full name / date of birth / gender
– Passport photo
– Language(s) spoken
– City/Country
– E-mail
– Website
– Cell Phone number
– Skype

Project information
– Sample of Previous work (PDF, website, link to Dropbox or similar)
– Your CV (max one A4) and Artists Statement explaining the general motivation of your artistic research (max one A4)
– Brief Motivation Letter with the theme: “Why am I going to Cadiz to work in a diverse, multidisciplinary context”? (max one A4)
– Project description: the artist must submit a specific project for this residency – successful applications will ideally include a workshop or other activity involving the local community (max one A4)
– Preferred time of residency (chosen month-s) & duration (from 1 month to 3 months)

SELECTION PROCEDURE:
Residents will be selected by the Linea de Costa Team based on the quality of their work, commitment to their practice, and ability to interact positively with the community at large. If your application is selected, Linea de Costa will send you an email within 10 days.

DUES:
ONGOING SUPPORT & ADVICE + LODGING + WORKING SPACE + EVENT

600€ ARTIST / MONTH

Note: Once your application has been approved, your place will be secured on receipt of full payment of your residency dues.

 

Please send your application to: apply@lineadecosta.net

Call for Artists for ARTsites 2015
Deadline for entry is March 17, 2015

The Howard County Arts Council is looking for artists with large-scale sculpture that is fit for year-long outdoor display to participate in ARTsites 2015, a year-long public art exhibit. ARTsites 2015 will take place at up to 13 sites throughout Howard County, Maryland from August 2015-July 2016. Sites and artwork will be selected from submissions by a panel of arts and public art professionals.

Artists with public art experience may submit up to six existing works for consideration, or propose new work with proper concept drawings and/or models. Selected artists will receive a grant of $2,500 for the temporary loan of the work, insurance, installation and de-installation. There is no fee to enter.

Visit http://hocoarts.org/exhibits.php to download an RFP.

Alexandria Museum of Art

28th September Competition

Juried Exhibition

September 4 – November 21, 2015

Eligibility

  • All artists over the age of 18 – working in any medium – are eligible.
  • All work must be original and must have been completed in the last two years (2013 or later).
  • AMoA encourages artists working in video and other experimental media to submit entries for judging.

 

Rules

  • Each artist may submit TWO works of art with a non-refundable entry fee of $35. (Additional works may be submitted for a fee $20 per each entry.)
  • Check or money order should be made payable to:

Alexandria Museum of Art, P.O. Box 1028, Alexandria, LA   71309-1028

(All foreign payments must be MONEY ORDERS converted to United States currency.)

  • If paying via credit card, please fill in the required fields on the Entry Card and mail it along with your CD or DVD, or email it along with your emailed entry.
  • Entries will be juried by digital images emailed or sent on CDs or DVDs only.
  • All digital images submitted must be sized at 5”x7” and saved as a JPG at a 300 dpi
  • Each IMAGE must be labeled with ONLY the artwork title, medium, size, and date. Label CDs and DVDs with your name, titles of each entry, and length of DVD (if applicable).
  • Artist may submit only one (1) digital image for each 2-D entry, and up to three (3) digital images for each 3-D entry.
  • Artist submitting video entries must send DVD format not to exceed 30 minutes in length.
  • No work should exceed seven (7) feet (84”) in any direction, or 200 lbs. in weight. Entries exceeding these limitations will automatically be disqualified.
  • CD and DVD entries will be retained in the permanent collection files of the Alexandria Museum of Art.
  • If digital images on CDs are not correctly representative of work chosen, AMoA has the right to disqualify the entry from the exhibition.
  • By entering the competition, the artist agrees to allow their work to reproduced for the purpose of publicity.
  • By entering the competition, the artist agrees that all entered work will be available for exhibition if chosen.  No substitutions will be allowed.

 

Awards

$2000 will be available for juror-designated cash awards. These awards will be announced at the Opening Reception on September 4, 2015.

 

“Variations and Variables”
National Juried Show

Printmaking processes inherently investigate variations and variables. This show seeks hand-pulled prints where this process occurs.
Juror: Jonathan Thomas, chair of printmaking, Md. Institute College of Art, Baltimore, MD

Pascal Art Gallery, Anne Arundel Community College Sponsored by Anne Arundel Community College Printmaking Club

Show Calendar: March 13, 2015: Deadline for submissions:
Submit 3 jpegs on a CD, $20 entry fee
Include an image list, numbered by entry submission with title of work, medium, dimensions, year of completion. Image list must also include artist’s name and e-mail contact information.
Include a check made out to Anne Arundel Community College for $20.

Mail to Chris Mona,
AACC, 101 College Parkway,
Arnold, MD 21012.

(questions: contact cpmona@aacc.edu) March 18, 2015: Notifications sent via e-mail April 2 – 15, 2015: Exhibition in Pascal Art Gallery, AACC April 9: Reception 5 – 7 pm

Power Structures exhibition- open call

Deadline: 03/13/15

“Power is not an institution, and not a structure; neither is it a certain strength we are endowed with; it is the name that one attributes to a complex strategical situation in a particular society.” Michel Foucault

Gallery 252 is seeking submissions that address power structures of all types.

Exhibition: April 2- 13, 2015
Open Call: Feb16, 2015 – March 13th, 2015

Open to U.S. resident artists 18 yrs. or older. Curated by: Mandy Cooper. All Mediums are Eligible. To Submit: Email the following to: mandylcooper@gmail.com

– Artist Statement
– CV
– 5 images of work
– Explanation of how your work addresses or relates to the theme.

Artists will be notified by March 15. Artists are responsible for shipping. Artwork must arrive by March 30th. About Studio 252:https://www.facebook.com/katzengallery252/timeline

2015 MMCA International Research Fellowship

Deadline: 15 Apr, 2015

Disciplines: Art Education, Curatorial, Research, Visual Arts.

Location:Korea, Republic of

Deadline: 15 Apr, 2015

Duration: 5 months

Eligibility: Aged between 25 and 45, Professionals working in visual arts in Asia, South America, Africa, Middle East and Eastern Europe

Costs / Support: round-trip airfare, accommodation, monthly allowance of 900,000KRW, Korean language course fee

URL: http://www.mmca.go.kr/eng/contents.do?menuId=6080017200

Program Description:

The National Museum of Modern and Contemporary Art, Korea (MMCA) hosts an international research program for the museum professionals including curators, conservators and educators. This program was initiated as a part of the Cultural Partnership Initiative (CPI) Project supported by the Ministry of Culture, Sports and Tourism of Korea. Participants of this program have been mainly curators of art museums from all over the world.

1. Period: June – November, 2015

2. Programs
– Individual research in link with Korean modern and contemporary art
– Visiting artist studios, museums, galleries and art institutions
– Meeting artists and museum professionals in Korea
– Attending art related conferences and seminars
– Cultural field trips
– Korean language course (mandatory)

3. General Qualifications
– Individuals who work in related fields of contemporary art such as museum professionals, curators, art historians, critics, conservators, educators, etc.
– Citizen of the following countries: Asia, Africa, Middle East, Eastern Europe and South America
– Aged between 25 and 45
– Good use of English language
– Individuals who have high interest in cultural exchange

4. Financial Support
– Round-trip airfare
– Accommodation
– Monthly living expense of 900,000 Korean won
– Korean language course fee
– Traveler’s insurance fees

5. Application Process
– Application form (available at http://www.mmca.go.kr/eng)
– CV with degree certificate
– A copy of passport
– Recommendation letter(s) *at least 1 letter required

6. Deadline: 15th April, 2015

* Send documents to:
2015 International Fellowship Program
Department of Planning and General Management
National Museum of Modern and Contemporary Art, Korea 313, Gwangmyeong-ro, Gwacheon-si, Gyeonggi-do, 427-701, South Korea

URL: http://www.mmca.go.kr/eng/contents.do?menuId=6080017200