Everyone is invited to the Opening Reception of three exciting new exhibitions at School 33 Art Center, this Friday from 6-9pm!
In our Main Gallery: WAVE and Particle, a group exhibition curated by Melissa Webb, featuring incredible light-based artworks by Tommy Bobo, Katie Duffy, Jenn Figg & Matthew McCormack, Karen Lemmert, Scott Pennington and Rachel Schmidt.
Engaging in a multitude of experiments utilizing such characteristics, the artists of WAVE AND PARTICLE harness light’s properties and behaviors through the use of LED screens and projection, materials such as glass, plexiglass, vinyl, and steel, as well as programmed motion, and human interaction. In doing so they continue the centuries-old tradition of asking questions—of both themselves and their viewers—regarding the nature of light.
In the Project Space: or if there be flooding, an installation by Bonnie Crawford Kotula:
Bonnie Crawford Kotula’s studio practice is part science experiment, part meditation, and part mischief. Employing both cerebral and sensual faculties, she makes sculptures and installations that combine tiny LED lighting with simple materials like brightly colored found objects and cheap craft supplies. “or if there be flooding” serves as an imagined response plan to a potential catastrophe. The title of this piece is a fragment from Advice to a Wife and Mother, published in 1878. Flooding, in the context of the book, refers to postpartum hemorrhaging. However, this euphemistic language can be more literally interpreted to reference natural disasters or rising sea levels. Blinking lights aimed at shadowy vignettes of accumulated detritus in the installation signal tenderly to the viewer a warning, a lament.
And in the Members Gallery: Low Noise, a solo exhibition by Terence Hannum:
Standing as geometric icons to decay and obsolescence, Terence Hannum presents several large-scale collage works which focus on a variety of textures, all exhumed from the discarded remains of commercial analog audio cassette tapes: colorful strips of leader tape and reflective brown Mylar, along with the gritty black marks made from peeling the magnetic dust from the backing. Hannum’s installation within Low Noise entitled Endless Gate emits a vocal drone loop through the use of two reel-to-reel tape players and spliced audiotape, the length of which is determined by the architecture of the space. Serving as both sculptural intervention and meditative sound piece, this work harkens to the Apocrypha of Brian Eno’s recording method and to Minimalist sculpture. With LOW NOISE, Hannum, a prolific musician who appears solo, with metal trio Locrian (Relapse Records), and with dream-pop trio The Holy Circle, asks us to consider both the living and the dead states of recorded media.
You can find more info on the Facebook event page: https://www.facebook.com/events/941960299272439/
